Showing posts with label Vesuvius. Show all posts
Showing posts with label Vesuvius. Show all posts

Saturday, 2 August 2014


POMPEII AND THE FORTY VIRGINS

No visit to Southern Italy would be complete without visiting Pompeii. Since my wife and I were in the Amalfi Coast which is only two hours away from Pompeii, we could not resist its siren call. This being my first time, I was surprised to see that Pompeii is just outside Naples. If it were not for the excavations that have been ongoing since the 1700s, this area would surely have been swallowed up by Naples’s urban sprawl. Fortunately the sprawl ends at the periphery of Pompeii, thus giving the visitor the distinct impression of leaving one world and entering another.




Vesuvius and the urban sprawl around it


Vesuvius looking like a beneficent presence which it decidedly is not.


At midday on the 24th of August AD79, Vesuvius exploded with a deafening noise. Prior to the explosion, the volcano was simply known as the mountain and people had no inkling of its violent past and the danger of living on its slopes. A period of intense seismic activity presaged the disaster. Then its plug of solidified lava, which had sealed the volcano’s summit, was ripped apart by a 20 km high column of volcanic materials. Then came a shower of pumice stones and ash which enveloped its surroundings in an eerie twilight. This was the harbinger of an incomprehensible cataclysm which came the next day.  The volcano belched out a pyroclastic flow, a high density mixture of rock fragments and gases with temperatures hovering between 200 to 1000C and traveling faster than 80 km per hour. It incinerated and destroyed everything in its path and cruelly extinguished the lives of those who remained in Pompeii




In 1592 an architect, who had been digging a canal in the area, found the ruins of buildings with decorated walls. The find was documented and forgotten until 1748 when excavations began in earnest. The sensational discoveries that followed made a deep impression on contemporary observers and inspired a whole aesthetic which flowered during the French revolution and the Napoleonic Empire that followed it.

Pompeii is a place where time has stood still and everything seems in suspended animation. Everything is just as it was when it was buried under ash. The most graphic reminder of this is when the visitor chances upon the remains of Pompeii’s inhabitants. Their deaths were so swift that they did not have time to expire; the ghostly shapes that have been unearthed are caught in the act of dying. 








Enter the houses and establishments and one almost expects its residents to come out and greet the visitor. Walk along its unevenly paved streets and raised pedestrian flagstones and one may almost imagine seeing a slave twist his ankle from the corner of one’s eye. The roads have been so rutted by the endless number of carts and chariots which have lumbered through these roads that one can almost feel them ready to run you down. There are loaves of bread left in the ovens of commercial bakeries waiting to be sold to passersby. There are even campaign posters advertising candidates for public office in an impending election. I half expected to see Pompeiians sitting in the public toilets or naked in the baths. Or better still, the prostitutes waiting in their cubicles beneath the frescoes advertising their specialty.


The temple of Apollo

The amphitheatre, a must-have in any Roman city worthy of such an appelation

Many of the houses in the city were huge even by modern standards. Some occupy a whole city block. Many have beautiful frescoes adorning their walls, especially one very famous house, The House of the Mysteries. Others have bronze statues and fountains, intricate mosaics, porticos, atria and colonnades. Some even had their own bathing complexes so that the owners would not have to patronize the public baths and mingle with the riffraff. One homeowner, who can only be described as a social climber, had a false colonnade to give the illusion of a large space so he could suitably impress his visitors! One house even had a mosaic floor at its entrance with the warning “Cave canem” (beware of the dog)!


The House of Menander
The House of Loreius Tiburtinus

The House of the Faun


CAVE CANEM!



As I wandered through the town, one thought kept swirling in my mind. If such a small town in Italy could boast of such wealth, what would the scale and grandeur of the truly wealthy and powerful in Rome have been like? It must have been stupendous. But all this wealth and luxury had been achieved and maintained by only one thing - slavery. This was the economic base of the entire Roman Empire. Romans, being the conquerors that they were, had slaves to build and maintain the mansions and palaces, stoke the fires and cool the waters in the baths, build the roads and walls of the city, tend to every whim of their masters, and satiate all their sexual desires and proclivities. Underneath all this power, wealth, and circumstance was an underpinning of misery which only death could end. And end it did one fine summer day in August two thousand years ago.


Interior of the House of the Vetii

Frescoes of the Dionysiac Mysteries in the House of the Mysteries


Fresco in the Dining Room of the House of the Mysteries

Fresco in the House of the Tragic Poet


As we wandered about the town, my wife could not help but reminisce about her first visit to Pompeii. She was among a group of 40 young girls (presumably virgins, some no doubt imagined) who went on a world tour sponsored by their convent school. This was a time of Transatlantic crossings on great passenger ships; a time of formal dinners at the Captain’s table; a time of made-to-measure evening clothes; a time of hats and gloves; a time of chaperoned dates; a time of formal manners and debutante balls; a time of half-wit uncles tucked away in an attic or a country house somewhere; a time that, much like Pompeii, no longer exists. 


A Bacchanalian feast

Fresco atop a brothel's room advertising the occupant's specialty, in this case, orgies.

Roman outdoor advertising of the licentious kind

A priapic satyr going about his business


They were escorted by the redoubtable head of the school, she whose dowry was the school's campus. When their group came to visit Pompeii, the nuns literally shielded the girls from the more sordid aspects of the city, like the many triple x-rated frescoes found not just in the brothels but also in the respectable homes of Pompeii’s aristocrats. It went without saying that the virgins that left Manila would still be virgins when they returned; in dress, in thought and in action. Naturally, when my wife set foot in Pompeii forty years later, her first impulse was to see everything she was prohibited from viewing on her first trip. So we went to every brothel and saw every licentious fresco there was to see until she was curious no longer.

Time and memory are inextricably intertwined. The former is absolute, the latter is relative. Pompeii is time that has been stopped dead in its tracks while my wife’s memory of her trip around the world ebbs and flows with the intensity of her imagination and is inevitably burnished by the golden glow of nostalgia. Ghosts still roam the deserted streets of Pompeii; there are the ghosts of those ancient Pompeiians who lost their lives that summer day two thousand years ago and those 40 virgins searching poignantly for their virginity and the simplicity of another age, now irretrievably lost.